Animation Reel
I love to express my emotions through creative forms, and animation holds a special place in my heart.It allows me to translate my feelings into vibrant visuals and dynamic storytelling, capturing the nuances of my inner world.
Each frame becomes a canvas for my thoughts and emotions, giving life to ideas that words alone often struggle to convey.
Through animation,I can share my passions and vulnerabilities, creating connections with others who resonate with the stories I bring to life.
Some of the animations are my personal creative time, and some of them are projects what I’ve been working on.
every now and then
again
thin layers of skin growing underneath nails
Through fading colours, movements, and symbolic imagery this animation offers glimpse into my own journey- as chance to channel the thoughts and feelings that were once difficult to express in to something tangible.
This little animation is more than just a creative project. Its an outlet for my personal exploration of life’s highs and lows.Its a reminder that sometimes, we need to create to better understand ourselves.

music makes me feel alive
This short 2D animation is a playful exploration of the visions in my head, brought to life through sketching frame by frame animation. It’s a journey of experimenting with shapes, movement, and ideas- transforming abstract concepts into visual expressions. The process is a fun and spontaneous way for me to connect my inner thoughts with the animation medium, allowing my creativity to flow freely and evolve organically.

VĪNS
The body is an emotional filter.
This animated short is about the young woman with dirty feet. Only little dress, shoulders down and confused mind covers her skin.
Had a time and chance to create my first animation short film from the concept to the final look.
VĪNS
making of
I handle every step of the process. Frame by frame. Bringing my vision to life. I loved watching each stage come together, realizing how every detail contributes to the final animation. The experience was truly rewarding, as it allows me to see my creative ideas transform from concept in my head to a fully realized visual story.
SAVE THE CHILDREN
‘Winter gala 2023’
Follow the Yellow Brick Road with these charming stop-motion animations crafted by Glassworks for Save the Children’s 2023 Winter Gala.
Created by GLASSWORKS CREATIVE STUDIO.
I had the incredible opportunity to contribute to the ‘Winter Gala 2023 ‘, a fundraising event for ‘Save the Children’. For this charity event, I directed, animated, and designed the set for a series of stop motion animation shorts inspired by The Wizard of Oz.
Save The Children
Working in a playful puppetry style, bringing beloved characters to life, crafting unique and engaging scenes that captured the spirit of the story while supporting a meaningful cause.
Save The Children
Work blends artistry with technical. skill to create compelling narratives and immersive experiences.
CREDITS
Animation Director: Lina Ozolina
Animation Director: Lina Ozolina
Character models: Lina Ozolina
Animators: Lina Ozolina, Hugo Rodriguez
Character models: Lina Ozolina Animators: Lina Ozolina, Hugo Rodriguez
Colorist: Vanessa Aparicio
Producer: Maryam Zahid
Colorist: Vanessa Aparicio Producer: Maryam Zahid
Save The Children
making of
This video takes you behind the scenes of stop motion animation process, showing each step from concept to final frame. You will see how static objects with careful planning, frame by frame photography, and attention to details can be brought to life.
It is a fascinating, hands-on process that demonstrates the patience and precision required to create a seamless stop- motion animation.
KHRUANGBIN
‘Pelota’
Pelota is a the release single on the Texan trio’s new studio album Mordechai, but she is also a bundle of energy that bounces through the galaxy like spirited ball.
I had the wonderful opportunity to be part of this beautiful animation, where I contributed as a 2D Animation Cleanup artist. My role involved refining the rough animations, ensuring each frame was polished and aligned with the final vision. It was a rewarding experience to see the animation come to life through my careful attention to detail, helping to bring the characters and movements to their full potential.
CREDITS
Directo- Hugo Rodriguez Rodriguez
Writer- Alvaro Sotomayor
Storyboards,Concept,Design- Hugo Rodriguez Rodriguez
Editors- Nils Crompton, Leonardo Grassi
Directo- Hugo Rodriguez Rodriguez Writer- Alvaro Sotomayor Storyboards,Concept,Design- Hugo Rodriguez Rodriguez Editors- Nils Crompton, Leonardo Grassi
Lead Compositor - Nils Crompton
Compositing Artists-Jef Fleurkens, Alexis da Camara, Leonardo Grassi, David Rodriguez Rodriguez
Lead Compositor - Nils Crompton Compositing Artists-Jef Fleurkens, Alexis da Camara, Leonardo Grassi, David Rodriguez Rodriguez
Cel Animation Lead- Hugo Rodriguez
2D Clean-up- Lina Oozlina, Patrick Armstrong, CallumSewell
3D Artists- Callum Austin, Jef Fleurkens, Gustav von Platen, Jacson Mitchell
MCR-Andrew Kidd
COO-Anya Kruzmetra
Executive Producer-Chris Kiser
Head of Production-Belen Palos
Jnr Producer-Katie Liston
Cel Animation Lead- Hugo Rodriguez 2D Clean-up- Lina Oozlina, Patrick Armstrong, CallumSewell 3D Artists- Callum Austin, Jef Fleurkens, Gustav von Platen, Jacson Mitchell MCR-Andrew Kidd COO-Anya Kruzmetra Executive Producer-Chris Kiser Head of Production-Belen Palos Jnr Producer-Katie Liston
A Simple Moment of Creation.Miniature set building.
In this project, I embraced the joy of simplicity by building a miniature set using everyday materials found around the house. There was nothing extravagant or complicated, just a moment of quiet focus where my hands and mind could flow freely. It was a meditative exploration of creativity, where the act of crafting and experimenting became its own reward.
The Ring
‘Fatal Fury’
I had an absolute blast being part of The Ring: Fatal Fury film — a thrilling collaboration with SNK to celebrate the launch of the new Fatal Fury game. I was involved in creating pixel animation for the project, bringing nostalgic flair and dynamic energy to the visuals. It was an amazing experience to contribute to a franchise with such a legendary legacy, and an exciting opportunity to blend classic game aesthetics with modern storytelling.
CREDITS
CLIENT : SNK / The Ring
PRODUCTION COMPANY : ProdCo
DIRECTOR : Mackenzie Sheppard
PRODUCER : Dulcie Kellett
EDITOR : David Gesslbauer
CLIENT : SNK / The Ring PRODUCTION COMPANY : ProdCo DIRECTOR : Mackenzie Sheppard PRODUCER : Dulcie Kellett EDITOR : David Gesslbauer
GLASSWORKS TEAM